Wine

Jun. 24th, 2006 12:54 am
focalintent: (Default)
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Repeated exposures and printings and re-framings - 10 in all.




This was more of a proof of concept project than anything else. If anything, one thing I learned out of it is to be very careful with color corrections I make before each printing - because they will only get compounded over time - hence the increasingly bluish tint the further into the image you get.

Still though, I like the result (and i've decided to leave the whole setup in my kitchen - not just the framed print, for now : ) and have plans that are grander and more nefarious. Now to find, amongst other thing, a very, very patient model.

In all, it took me about 4 hours to do. One hour to get the original scene set up and the lighting set up the way i wanted it. I still think it could use some work - there's some shadowing going on that I would have liked to have not had there. (I punted on continuing to mess with it in favor of going on with the rest of the project).

Then it was roughly 3 hours of "shoot, download, adjust, crop, print, re-frame" - and took about 15-20 minutes for each round. I imagine that when I do this with larger prints my cycle time is going to be even higher - which means no natural light (or doing this X days in a row at roughly the same time of day) - and also probably means a preference for patient subjects.

The camera was the Canon 5d, the lens was the 50mm f/1.8 'plastic fantastic'. I had two flashes in soft boxes off to each side and one flash reflected in an umbrella above everything pointing down at a roughly 60 degree angle. The prints were made on an Epson r220 with photo glossy paper. The frame is a simple Ikea frame.

Date: 2006-06-24 10:58 am (UTC)
From: [identity profile] cuthalion.livejournal.com
It would be better with a model because things would be slightly different in each shot and it would look less like a photoshop thing.

Date: 2006-06-24 11:11 am (UTC)
From: [identity profile] devina.livejournal.com
Or let the candle burn during the whole process, if that wouldn't mess with the lighting.

Date: 2006-06-24 12:31 pm (UTC)
From: [identity profile] spike.livejournal.com
Or change just one small thing in each shot: angle of the bottle, position of the corkscrew, lipstick on the glass -- tell a story!

Date: 2006-06-24 05:04 pm (UTC)
From: [identity profile] sol3.livejournal.com
The plan for v2 of this specific shot involved doing things like changing the amount of liquid in hte bottle and in one of the glasses. Only, I want to do it in such a way so that in each -inner- picture, the bottle is more empty and the glass less full : )

Date: 2006-06-24 11:53 pm (UTC)
From: [identity profile] goat.livejournal.com
I wonder if some sort of pipette would be good for this...make sure it fits into the wine bottle, suck up some of the wine from both bottle and glass and deposit it elsewhere (perhaps in your belly?)....that way you don't actually have to move the bottle or glass , which might change the composition too much.

Date: 2006-06-24 07:34 pm (UTC)

Date: 2006-06-24 01:56 pm (UTC)
From: [identity profile] tcb.livejournal.com
I was thinking the same thing..

Date: 2006-06-24 05:03 pm (UTC)
From: [identity profile] sol3.livejournal.com
Alas, I did some test shots with the candle burning and they didn't work terribly well : /

Date: 2006-06-24 05:02 pm (UTC)
From: [identity profile] sol3.livejournal.com
Yup - that's the eventual plan - but I wanted to fool around with it before I made someone hang around for 6 hours to get it done. I already have a rough idea for what I want to do next though, involving a model type person! : )

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